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Built-in CPU for Nikkor information exchange / Compatible with all P-Type Nikkor SLRs, and F3HP, FM3A and FM-10
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Technical Details
- Compatible with all exposure modes of CPU-controlled Nikon SLRs (P-Type Nikkor), as well as F3HP, FM3A and FM-10- Special silver finish matches silver FM3A & other select SLR cameras
- Includes matching HB-35 lens hood, NC filter, plus front & rear lens caps
- Seven bladed rounded diaphragm produces more natural out-of-focus highlights
- Lens construction - 4 elements in 3 groups
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By The Great CD Swindle (Monaco)
A wonderful lens designed with foresight and understanding of the needs of photgraphers not found frequently these days. Designed for manual focus but with data connection to digital bodies it is a robust, smooth, tiny lens which is sure to become a future classic.
By Adam North (Sydney, Australia)
This beutiful lens almost makes you fell that you have a old silver Hasselblad lens on your Nikon.Very portable.
VERY SHARP!
By R. Marotz (MN United States)
Based on so many reviews praising this lens for its ability to render smooth out-of-focus elements (boke or "bokeh"), I picked one up with high hopes. Sadly, I was pretty disappointed when trying to shoot flowers and finding the background harsh and distracting, even moreso than my 50mm f/1.8D. I was told by a few people that my lens was likely a lemon, though after some investigation, I determined that much of the praise for the boke came from the rounded aperture blades, which produce a rounded out-of-focus highlight rather than a heptagonal one (as in the case of the 50mm Nikkors). Apart from this, the background smoothness is limited by the same limitation inherent in the 50mm primes, which is the correction for spherical aberration.
However, stopping the lens down to f/4 overcomes most of the harshness in out-of-focus blur you see wide-open.
I thought I would get that bit of information out in the open as the vague praise of its boke is a bit misleading (tessars aren't really known for their boke anyway). However, that is not all there is to the lens (we can't obsess only about what's not in focus!), so let me mention a few more things!
The 45/2.8P can produce amazing colors. I would say the color saturation, while natural, is the highest of any lens I've used. This is the main reason I like this lens so much. Further, contrast, tonal gradations, and shadow detail produce a very pleasing overall image.
When in focus, the 45/2.8P is very sharp, even at wide apertures. Some will say it's sharper than the 50s, some will say it's not as sharp as the 50s. I would say they're roughly comparable.
Distortion is very low, flare and ghosting are tame overall, and light falloff is noticeable at wide apertures but often contributes to the relatively undefined "look" people like so much from this lens.
The 45/2.8P is, I think, the smallest 35mm lens Nikon makes (or made, they are discontinued now). It is built better than the AFD 50s, its compactness and relatively good build quality inspires a sense of confidence. The manual focus ring feels very nice and is enjoyable to use, as long as you don't need AF.
On the whole, I think this is a fantastic lens, even though it's not the "boke lens" I was originally expecting. Many photographers will say that the best lens is the one you have with you, and the 45/2.8P, with its combination of compactness and superlative image quality, can be a hard lens to not have with you. Is it worth the price compared to the 50s? In truth, for many people probably not. The differences in image quality are seen in subtleties, which may not compensate for the relatively small aperture and lack of autofocus. However, although I am not made of money, I don't consider purchasing it a mistake at all!
By Jerry Jackson Jr. (Cincinnati, OH United States)
The 45mm f2.8P is one of the best primes you can get for the Nikon mount. That said, the lens design is old (cheap) but yet Nikon expects you to pay more for this lens than the 50mm f1.8D?
The bokeh on the 45mm is great ... but you can argue that the bokeh on the 50mm f1.8D is just as good ... and the 50mm f1.8D is MUCH cheaper.
Sure, it's manual focus unlike the 50mm F1.8D which has autofocus ... but that's just another reason that this lens should be priced at less than $100.
Anyway, if you LOVE manual focus prime lenses and feel the urge to buy this you probably won't be disappointed ... but you will be paying more than you need to for a fast lens.
By John Kwok (New York, NY USA)
I've heard a well-founded rumor that this 45mm f2.8 Nikkor lens is an exact carbon copy clone of the 45mm f2.8 Carl Zeiss Tessar which was made for the Contax/Yashica SLR camera system. Furthermore I had heard that this lens was made by Kyocera in the same factory which had made the Japanese Carl Zeiss lenses. I'm not sure if either rumor is true, but the 45mm f2.8 Nikkor lens is a classic Tessar design. Regardless of its origins, this lens is truly an exceptional performer and is a nice companion to a Nikon FM3A body if one wishes to do some discrete street photograhy with this camera or one of its predecessors in the Nikon FE/FM series. True, it is more expensive than the 50mm AF Nikkor lenses, but what you gain is better image quality and, I suspect, better mechanical quality too.
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