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24mm D-Series Wideangle lens for Nikon cameras
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Technical Details
- Compact wide-angle lens construction- Superb optical design for architecture, wedding, and landscape photography
- 84-degree (61-degree with Nikon DX format) picture coverage with edge-to-edge sharpness
- Close Range Correction system provides high performance at both near and far focusing distances
- Nikon Super Integrated Coating for minimized flare and ghost, providing good color balance
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By Dr. Kovacs Peter
I use it only for a month now, but it feels great, looks great, but more importantly delivers nice pics. I use it on a D90, mainly for family shots and on excursions. Rarely replaced by other lenses. Only if its important to have tack sharp portraits. Than I change for my 50mm AF-S. All in all I like it a lot.
By K. Wong (Dublin, CA USA)
I was quite surprised of the close focusing capability of the lens on my Fuji S3 Pro, as well as the relative lack of distortion. The product was delivered on time at a good price.
By G. J. Huba (Culver City, CA USA)
When used on a Nikon D300 that applies a 1.5 multiplying factor to the length (this 24mm acts like a 36mm on a DX sensor), this lens is clear, collects lights well, and is extremely sharp. This is a great walk-around lens for scenery, touring, quick crowd shots, and snapshots. With this lens, if you can get the shot quickly and in focus, you will have something that can be easily edited (expecially cropped) in a photo-editing program. Highly recommended as a basic "on the camera all the time" lens.
Updated December 2009. Now used on a Nikon D700 full frame (FX) camera for a year. In this case the lens is a true 24mm unlike on the Nikon D300. Scenery is exquisite, and the lens is incredibly useful for pictures of large groups of people like some recent holiday shots of about 25 people working on cooking on a kitchen center island, or two-dozen kids sitting at a table while the candles get blown out. On an FX camera the lens is sharp, collects light well, is virtually always in focus as you would expect from a 24mm. You can get all the action in the picture without being too far away and if you get too much in, it is simple to crop the pictures. In addition to scenery outside, this lens is awesome for large groups of people where you either want to get many in the picture or you have to be up close because it is a party or historical site or museum. Why haul a 14-24mm zoom when this lightweight but solid lens has 90% of the functionality.
Updated February 2010. I do not use this lens on a daily basis. In fact I do not even use it every week. But, in spite of this, it is a lens I would never want to part with (I am pruning some of my current lenses to make room for a new purchase) even if it is not the lens used daily. When you want to take "place" pictures and get the big picture, this is the one that will get the shot and is light enough so that you still enjoy the location without backache. Landscape shots with it from Grand Teton and Yellowstone Parks capture the "hugeness" you feel in those places with clarity, color trueness, and lack of distortion. And the lens fits in the pocket of pants (without too much of a bulge). Carry this little gem and get the big picture. Works great for cityscapes too.
By James Fryer (NY USA)
I have a slightly older version of this lens (pre D), but the important point I want to make is the same: This is a great prime lens for events and general shooting on a cropped DSLR. On a D70 (what I have) it acts like a 36mm with the crop factor. It is wide enough to take shots of groups but not so wide that you can't get a nice portrait.
But, this is for people like me who prefer prime lenses, most people will be much happier with a zoom, like the 18-55mm VR. The prime lens lets more light in so you can shoot without a flash more often. But, if you are going to shoot with a good flash like the SB-600, you will be better off with the flexibility of a zoom.
These AF lenses will not auto focus on a D40 or D60. They will auto focus on the D50, D70, D80, as well as the higher end pro models.
By Jennifer L. Griffith (Tucson, AZ)
This lens is a necessity when shooting with the Letus Extreme or Redrock 35mm adaptor!
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