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Get better pictures from your digital SLR with this Nikon USA: AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR lens. Its special Vibration Reduction Image Stabilization reduces camera shake, so your pictures come out sharper. And with its three aspherical lens elements, lens aberrations are rare. And if you need to take a picture fast, the Silent Wave Motor produces high-speed and quiet autofocus operation. 3 aspherical lens elements virtually eliminate coma and other types of lens aberration even when used at the widest aperture. Nikon Super Integrated Coating (SIC) offers superior color performance and substantially reduced ghosting and flare. Close focusing distance to 1.3 feet throughout the entire zoom range. Rounded 7-blade diaphragm for more natural appearance of out-of-focus image elements Picture angle equivalent to focal length of 24-127.5mm (in 35mm format) Focal length - 16-85mm, Maximum aperture - f/3.5-5.6, Minimum aperture - f/22-36, Lens construction - 17 elements in 11 groups (with two ED glass elements, three aspherical lenses) Maximum reproduction ratio - 1/4.6. Filter/attachment size - 67mm. Diameter x length - Approximately 2.8 x 3.4 inches Weight - Approximately 17.1 oz. Supplied accessories - 67mm Snap-on front lens cap LC-67, Rear lens cap LF-1, Bayonet hood HB-39, Flexible lens pouch CL-1015 Optional accessories - 67mm screw-in filters
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Technical Details
- AF-S DX Nikkor 16-85mm f/3.5-5.6G ED VR lens- Designed For Wse With Nikon DX Digital SLR Cameras Including The D40, D60, D80, D90, and D300
- 24-128mm Effective Focal Length for APS-C Sensor Cameras
- Vibration Reduction Allows In-focus Shots with Longer Exposure Times (up to four shutter speeds slower)
- Ideal For Wide-Angle Shots and Portraiture
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By Busy Executive (Long Island, NY)
Although I have the full compliment of Nikon pro lenses, I frequently use the 16-85 as my "walking around lens" for casual shooting. It is very sharp and boasts high image quality, has an effective VR system (unlike Nikon's pro grade 24-70 lens, which has no VR), and is lightweight and compact to boot.
Although the pro lenses are marginally sharper and optically faster, I tend to see it as a balance. If I didn't use the 16-85, I'd probably be carrying at least the 24-70 and one other lens. Not only is the 24-70 quite a bit heavier than the 16-85, I'd probably miss some shots due to changing lenses. Still, the pro lenses are amazing and they have their purpose too (for instance, soon as you go to an FX camera)...it's just for maybe two-thirds of my casual shooting the 16-85 is more convenient and "good enough". Unlike some other long-range zooms (the 24-120 comes to mind), this lens produces very sharp and contrasty pictures with great color and that "pop" you get from top lenses. I never get the sense I'm using a substandard lens, and from what I've seen, it's well ahead of the 18-200 and Nikon's kit lenses.
One of my few complaints about this lens is that out of focus areas (bokeh) tend to be somewhat harsh and jagged, not soft and "creamy" in the tradition of Nikon's excellent 85mm f/1.4. This isn't a deal breaker for me...just means I spend relatively more time fixing backgrounds in the computer after the shot. The only other complaint I have is the the f/5.6 at the long end is really a bit too dark...I would have preferred a constant f/3.5 or f/4 through the range, even if it meant making the lens marginally bigger.
Mechanically, the lens seems rugged and well made, although just a hair lower quality than Nikon's pro lenses. Note that if you use filters with it, the very wide 16mm end of the zoom range calls for thin mount filters, otherwise you get a bit of vignetting. Still, it has been through many thousands of exposures on my D300 in conditions ranging from the tropics to frozen New England winters, and it has always focused quickly and smoothly and acts like new.
Highly recommended.
By Enche Tjin (Philadelphia, PA)
Nikon 16-85mm is a general purpose lens designed for Nikon DX camera. DX camera is camera that use APS-C size sensor. There are plenty of DX cameras in the market from beginner (D3000, D5000) to advanced (D90, D300s). The focal length is equivalent to 24-127mm. It is capable to take wide landscape or very tall building in one frame without panorama sticthing. It is also long enough for close-up portrait or pulling subject from 20 meters away.
Like other non-kit lens, Nikon 16-85mm has metal mount. The outer shell are made by combination of metal and plastic. It is very sturdy and well made. Nikon 16-85mm comes with a plastic bayonet type lens hood.
Nikon 16-85mm features VR (Vibration Reduction) which stabilized the image sensor to prevent blurring on images due to camera shake. This lens also features AF-S SWM, which ensure fast and silent auto focus.
The lens is almost perfect but I wish it has constant aperture like f/4 or even f/2.8. But I understand it might increase the size and double the price.
Many people might compare this lens to Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras. Here are some differences:
Nikon 16-85mm vs Nikon 18-200mm
* Nikon 16-85mm is a bit wider, so it is better for landscape / architecture photography.
* Nikon 16-85mm is more compact (85mm x 72mm / 3.4 in. x 2.8 in. vs 96.5mm x 77mm / 3.8 in. x 3.0 in.)
* Nikon 16-85mm delivers more consistent result especially wide open at f/3.5-5.6, however this advantage diminished when you shoot at f/8.
* Nikon 16-85mm is slightly cheaper. (Approx. 20% cheaper)
* Nikon 18-200mm has a much longer telephoto end, thus more versatile in various shooting condition.
Based on what I read, the 18-200mm is more popular than 16-85mm because of its zoom power, but professionals might prefer 16-85mm because of its consistent result across focal length and aperture.
Nikon 16-85mm like other Nikon DX lenses is also mountable in Nikon full frame camera. But because it is designed for much smaller image sensor, you will lose 50-60% image resolution.
Overall this is an excellent walk around lens, it delivers consistent high quality result in all focal lens and great for casual and professional use.
Tips: when you use built-in flash with this lens, you need to remove lens hood because it obstruct the light.
Additional tips: The size and weight balance very well when used with Nikon D80 or Nikon D90 DX 12.3MP Digital SLR Camera with 18-105mm f/3.5-5.6G ED AF-S VR DX Nikkor Zoom Lens
for more reviews and image sample, please visit my blog. The address is in my profile page. Thanks for reading.
By J. Liao (NYC)
Great lens to walk around with, very sharp, wide enough for landscapes (though with some distortion) and good telephoto for portrait shots with good bokeh. VR works great, build quality is solid. This is a great step up lens if your considering moving up from a kit lens.
By Dr. Mr. Feldesman
I purchased this as a midrange all-purpose lens for my D90. I also have a D300s. After using the lens on both bodies and taking all sorts of pictures - portraits, landscapes, closeups, wide-angle, I could not come up with a single image that I would be willing to display. All pictures were slightly out of focus and extremely soft at all focal lengths. Mind you, I'm accustomed to some sharp images from my 10-24, my 35 mm, my 17-55 ED 2.8, my 70-200, and my 105 micro Nikkor. I am returning the lens for its utter lack of sharpness (at $700 I don't regard this as a "cheap" lens) and am ordering the out-of-stock 24-70 mm lens at 2.5x the price. There is, IMO, no point in buying a lens covering this particular range unless it is a high end lens. I have a couple of overlapping focal lengths but with two bodies, I like to keep different lenses on different bodies and switch bodies rather than lenses. The 16-85 mm was a huge disappointment to me.
By Ellie (North Shore of Boston, USA)
Remarkable zoom lens. Here's how I'm using it: my body is a Fuji Finepix S3 PRO Nikon mount with the wonderful Fuji Super CCD SRII imaging chip. I mention this because only a great lens will bring out all that this chip can offer. First, when I got the body I tried it with my old Nikkor 50mm f1.8 prime lens. Wonderful sharpness and color. Then I bought the 16-85 through Amazon from J&R in New York which has been an excellent supplier to me for several years - 1 day shipping to Massachusetts for regular rates. After some initial testing at home, I took it to Harvard Square and did my usual style of wide angle street shots, architectural, people, mild telephoto, and some interiors. The autofocus is rapid but with my Fuji body, which is based on an older Nikon design, focus at extreme telephoto end was iffy. But wait, I blame that on the Fuji autofocus detector feature which, being years older that current Nikon models, wasn't up to the task. So I could easily focus manually when needed. The payoff was at home when I uploaded the shots and viewed them in Picassa 3 under high magnification I saw that they were about as sharp as my 50mm prime lens. I saw no color fringing. And the barrel distortion at the wide end was less that I've noticed from my Leica point-and-shoot models V-lux 1 and D-lux 4. The color, using the Fujichrome setting in the body, was outstanding with excellent contrast. This is not a light, plastic mount lens. The combination of this and my heavy Fuji S3 body made my arms sore by the end of the day. So, now I am looking for a modern Nikon DX body, maybe the D5000 (when Nikon exhausts its stock plagued with power regulation problems), to mate with this lens which is as close to being my all round lens as I might have wished. Other that paying well over $1000 for an f2.8 Nikkor zoom, this seems to me to be the sweetest focal range (24mm to 128mm in DX) at a reasonable price considering its quality. Pair it with a quality prime telephoto or a 70-400mm zoom and you can cover nearly any situation with confidence in the resultant image quality.
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